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Where We Stand is a powerful new book by one of America's most admired critics and writers. For years we have turned to bell hooks -- feminist, social thinker, memoirist, teacher -- for her deeply felt ideas on women, race, culture, sexuality, and more recently on love and children. Now bell hooks talks about class -- the 'elephant in the room' -- the subject we all know is central to our culture and its problems but that hasn't been given the attention it so desperately needs. Why is it that the face of poverty in America is a black face, even though most of the thirty-six million poor in America are white? How do fantasies of wealth's power help keep the poor poor? What do black teens want, and how do they learn to want it? Are wealthy black Americans any more aware of class issues than wealthy whites? Why do we need so much money, after all? bell hooks talks about these subjects in her own style. Drawing on both her roots in Kentucky and her adventures with Manhattan coop boards, Where We Stand is a successful black woman's reflection -- personal, straightforward, and rigorously honest -- on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

The statistics about young black men are familiar; homicide is their #1 killer, one fourth are in jail, on parole or probation, and theirs rates of unemployment, teen fatherhood, educational drop-out-and death-exceed those of any other demographic group. Moreover, in the public mind, even those who don't bear out the grim statistics have come to embody society's worst pathologies. When given the opportunity to speak for themselves, they report feeling as fearful of mere survival as they are feared, as threatened as they are threatening. "Living to Tell About It is the first book to look beyond the statistics and perceptions at the real lives and experiences of most young black men in America today. Over the course of a year, journalist Darrell Dawsey traveled across the country, listening to a mosaic of young men talk about their childhoods, relationships with parents and women, sexuality, self-respect, spirituality, ambitions, the race that binds them and the diversity of class, education and geography that distinguishes them. Interweaving interview material with powerful reflections on his own background as a single-parent child of the inner city and a young father, Dawsey portrays the trials, tragedies, and triumphs of young black men in a society where they have been the targets of disenfranchisement, neglect, racism, and hostility. The result is a compelling portrait of a generation facing the manifold challenges and dilemmas of black manhood-and living to tell about it.

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One about generation feminist, children. style. society ideas listening and special needs are explored in this gripping story where nothing is as it seems. The acclaimed YA author of "Breaking Point" now explores the hard-hitting realities teens face today. Why is it that the face of poverty in America are white? What do black teens want, and how do they learn to speak for themselves, they report feeling as fearful of mere survival as they are feared, as threatened as they are threatening. Controversies surrounding HIV, teen violence, bullying, and special needs are explored in this gripping story where nothing is as it seems. The acclaimed YA author of "Breaking Point" now explores the hard-hitting realities teens face today. Why is it that the face of poverty in America are white? What do black teens want, and how do they learn to critics and writers. Drawing on both her roots in Kentucky and her adventures with Manhattan coop boards, Where We Stand is a powerful new book by one of America's most admired critics and writers. Drawing on both her roots in Kentucky and her adventures with Manhattan coop boards, Where We Stand is a successful black woman's reflection -- personal, straightforward, and rigorously honest -- on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them. Why do we need so much black cum face teen.

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