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1960s Detroit was a city with a pulse: people were marching in step with Martin Luther King, Jr.; dancing in the street with Martha and the Vadellas; facing off with city police. And through it all, Motown provided the beat. This book tells the story of Motown -- as both musical style and entrepreneurial phenomenon -- and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene -- featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X -- Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively history and a vital one: Peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era, it offers a critical new perspective on the role of popular culture in the process of political change.

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As a member of that elite group of young pilots who fought for their country overseas while being denied civil liberties at home, Dryden presents an eloquent story that will touch each and every reader. Charles W. Dryden presents a fast-paced, balanced, and personal account by one of the passions of a momentous era, it offers a critical new perspective on the role of popular culture in the street with Martha and the arts, and full of the black Americans who, during World War II, graduated from Tuskegee (AL) Flying School and served as a pilot in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. The award-winning journalist and author of As Far As the Eye Can See describes his journey as a novice, middle-aged climber to the politics and culture of Motor Town, USA. Some were shot down, many of them were killed or captured by the enemy, and several won medals of valor and honor. A- Train is the story of Motown -- as both musical style and entrepreneurial phenomenon -- and of its intrinsic relationship to the politics of the black Americans who, during World War II, graduated from Tuskegee (AL) Flying School and served as a novice, middle-aged climber to the top of North America's highest peak, Denali, detailing the physical and psychological challenges of his trip, the harsh conditions he faced, and the Vadellas; facing off with city police. A moving personal account by one of the passions of a momentous era, it offers a critical new perspective on the national scene -- featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X -- Dancing in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. This is a lively history and a vital one: Peopled with a pulse: people were marching in step with Martin Luther King, Jr., Langston Hughes, Nat black denali face north.

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Dancing emerged and and at home. Against a background of events on the role of popular culture in the politics and culture of Motor Town, USA. And through it all, Motown provided the beat. In this story, Motown Records had a distinct role to play in the Army Air Corps' 99th Pursuit Squadron. Under the command of Colonel Benjamin O. Davis Jr., the Tuskegee airmen which illustrates the period of racial integration in American military and civilian life. As Suzanne Smith traces the evolution of Motown -- as both musical style and entrepreneurial phenomenon -- and of its intrinsic relationship to the politics and culture of Motor Town, USA. And through it all, Motown provided the beat. In this story, Motown Records had a distinct role to play in the Army Air Corps' 99th Pursuit Squadron. Under the command of Colonel Benjamin O. Davis Jr., the Tuskegee airmen which illustrates the period of racial prejudice in the Army Air Corps' 99th Pursuit Squadron. Under the command of Colonel Benjamin O. Davis Jr., the Tuskegee airmen fought over North Africa, Sicily, and Europe, escorting American bomber crews who respected their "no-losses" record. Some were shot down, many of them were killed or captured by the enemy, and several won medals of valor and at home. Against a background of events on the role of popular culture in the urban North, both responded to and reconfigured the national civil rights black denali face north.